On-site, Online, Streaming

Master in Entertainment Law: Audiovisual, music, sports and entertainment industry

Program director:

D. Óscar Palet Santandreu
D. Francisco E. Giménez Merchante
D. Jesús M. Coca López

Campus:

Madrid

Date:

September

LANGUAGE:

Spanish, English

Entertainment moves the world; law makes it possible.

ISDE’s Master in Entertainment Law is designed to educate the professionals who will lead legal advisory work in the most dynamic and creative industries: audiovisual, music, sports, and live entertainment. This pioneering program prepares you to master the legal frameworks governing intellectual property, talent agreements, rights exploitation, the regulation of digital platforms, and new business models linked to video games, eSports, and streaming.

With a strongly hands-on approach and a faculty made up of practicing lawyers, producers, and industry experts from leading companies and specialized law firms, you will acquire the tools needed to advise on deal negotiation, image rights management, event organization, and content protection. In addition, the program covers highly topical issues such as influencer regulation, content monetization on social media, and dispute resolution in the entertainment sector. Are you ready to become the legal advisor that stars, production companies, and platforms need to protect and amplify their success?

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Introduction and objectives

There is an immense industry, of which practically all of us are consumers and whose growth is exponential. We are talking about the entertainment industry. Why continue as a spectator when you can participate, be a protagonist and contribute to creating what you are passionate about?

The audiovisual, sports, video game, music and entertainment industry markets are undergoing a profound technological transformation that requires specialized professionals and lawyers who can function in an environment in which the artistic and creative are combined with the legal and business.

The Master’s Degree in Entertainment Law: Audiovisual, Music, Sports and Entertainment Industry offers a solid and comprehensive training base, for those who want to develop their career in the world of television, sports, audiovisual and music production, technology companies with business development on the Internet, the video game industry, the performing arts, the promotion and development of sporting events, concerts, festivals, shows, and musical tours.

Its teaching staff comes from the most prestigious law firms and specialists from the main companies and institutions in the audiovisual, music, sports and video game industries. It is these firms and companies that open their doors to students so that, through the internship phase, they begin their professional career in this exciting world.

Structure, location and calendar

First phase: Classroom Instruction:

  • One academic semester
  • Classes from Monday to Thursday in the afternoon. A few mornings a week, students will attend conferences and practical sessions at ISDE collaborating offices and institutions.
  • The program includes an academic stay at the University of Miami.

 

Second phase: Integration in practices:

  • Mandatory phase. Between 3 to 6 months in law firms or legal departments of ISDE collaborating large companies, as well as institutions, organizations and sports clubs (more than 300) nationally and internationally

Career Opportunities

  • Law firms.
  • Entertainment platforms.
  • Sports institutions.
  • Sport clubs.
  • Video game companies.
  • Event organization.

ACADEMIC PROGRAM

Module I. Introduction to the legal foundations common to Entertainment Law: Audiovisual, Musical, Sports and Entertainment Industry.

  1. Intellectual Property: The work, the author, the performing artists, producers and publishers. Athletes and sports entities. Moral and patrimonial rights. Licenses and types of contract.
  2. Comparison of common law and continental European law: author’s right versus copyright.
  3. Industrial Property: Distinctive signs, protection of artistic names, characters and television formats, patents, trademarks, design, know-how, technical and commercial secrets. Sports sponsorship.
  4. Competition Law.
  5. Advertising Law.
  6. Introduction to “Contract Drafting”.

Module II. Public and private organizations and institutions linked to Entertainment Law.

  1. Study of representative public and private institutions at the national and international level linked to the entertainment law industries.
  2. Trade union organizations, unions, and national and international Intellectual Property Rights Management Entities (CMOs).
  3. The Academies of Film, Television and Performing Arts.
  4. The Spanish Association of Producers and Distributors of Video Games and Entertainment Software.
  5. La Liga, FIFA, The Spanish Olympic Committee.

Module III. Law of the Audiovisual, Musical and Sports Industry (I): Legal analysis of the pre-production, production and post-production of works, other types of creative and sports content.

  1. Pre-production: Intellectual property and other legislation applicable to the elements that make up audiovisual, musical and sports content. Study of the registration and protection of formats, license management and other legal aspects of pre-production.
  2. Production: Technical and organizational aspects. Intellectual and industrial property, labor and social security regulations, tax regime, contractual and corporate law corresponding to the audiovisual, musical and sports industries. Sports competition: business models and compendium of contractual relationships. List of means of financing. Study of mutual guarantee companies, economic interest groups (AIE) and other financing structures for audiovisual productions. Legal regime applicable to international co-productions and the filming of foreign productions in Spain.
  3. The integral management of the activity of the musical artist: The Contracts of representation 360. The role of the representation agencies.
  4. Postproduction: Technical and organizational aspects. Intellectual property and other legislation applicable to the edition and final assembly of the work. Study of user-generated content and derivative works.
  5. Contract violations and effective judicial protection. Analysis of typical conflicts and jurisprudence.

Module IV. Audiovisual, Music and Sports Industry Law (II): Legal analysis of the distribution, export, marketing and secondary use of works and other creative and sports content. Study of the markets.

  1. Exploitation of audiovisual and musical works: Study of typology of distribution contracts and, in general, marketing of works and content. Internships in the audiovisual and music sector.
  2. Public domain and the use of free licenses in the audiovisual and music industry, Copyleft and creative commons licenses.
  3. Export and internationalization of content: Analysis of the legislation applicable to the internationalization of audiovisual and musical content, incentive regime, public and private aid.
  4. Audiovisual and music markets: Study of business models. Analysis of the operation and regulatory regime of the open and pay television markets, of cinematographic exhibition halls, of passenger transport and establishments open to the public and festivals, of radio stations and in the radio-formula format, the sale and distribution of recorded music and fixed on media and music in the audiovisual.
  5. The exploitation of sports competitions in the Media: Audiovisual rights applicable to football and other sports.
  6. The legal regime of indicators and measurement systems of commercial exploitation in audiovisual markets. Analysis of the business models of data providers, audiences and box offices. KANTAR MEDIA and COMSCORE.
  7. Collective management of intellectual property rights.
  8. Regulatory scope and the role of the National Commission of Markets and Competition.
  9. Piracy in the exploitation of creative and sports content.
  10. Judicial protection in the exploitation phase

Module V. Law of the Audiovisual, Musical and Sports Industry (III): Legal regime and business models of OTT services. Analysis of the new horizons of production and exploitation of audiovisual content in the digital environment. Other forms of exploitation.

  1. OTT services and the provision of audiovisual content on digital internet platforms and social networks (NETFLIX, HBO, SPOTIFY, YOUTUBE and FACEBOOK). Study of business models and the singularities of their legal regime in contracting and other practices in the sector.
  2. Comparative analysis of the regulatory framework of intellectual property rights in OTT services and social networks. The cross-border management of licenses and remuneration rights in the digital environment.
  3. Image exploitation contracts in new business models in social networks. Legal analysis of the figure of the influencer and its different business models.
  4. The “Performance Capture” and Artificial Intelligence applied to audiovisual. Legal analysis of the substitution of interpreters and the “Deep fakes”.
  5. New horizons for the exploitation of creative and sports content: The Metaverse and NFTs.
  6. Other forms of exploitation: Merchandising based on creative and sports content. The game and the bets.
  7. Contract violation and judicial protection.

Module VI. Advertising Law.

  1. Comparative analysis of the regulatory framework of advertising content. The cross-border management of licenses and temporary extension of the use of commercial spots.
  2. Business models in the advertising sector, audiovisual media and the digital environment. Analysis of real cases and contract drafting.
  3. The regulatory function in advertising. AUTOCONTROL.
  4. Advertising and intellectual property rights.

Module VII. Video Game Law.

  1. The legal regime of the video game. Legal architecture of the elements that make up the video game.
  2. The pre-production, production and post-production of video games. Contract models and real cases.
  3. Legal regime for the distribution, export, commercialization of the video game. Business models and cross-border license management. Real cases and contract drafting.
  4. Analysis of the new business models linked to the exploitation of the video game: The public communication of game games on the Internet GAMEPLAYS and E-Sports. The figure of the Gamer. The sports and video game industry, business model.
  5. Video games and intellectual property. Authorship analysis. The accrual of intellectual property rights in the exploitation of the video game.
  6. Comparative law and the regulatory horizon of the video game.
  7. Scheme of the best legal practices in contractual matters in the field of video games.

Module VIII. Entertainment Law (I): Performing Arts, Concerts and Sports Competitions as public shows: Regulation and legal analysis of the planning, contracting, production, promotion and execution or exploitation of musical and theatrical stage productions.

  1. Regulation of the performing arts, concerts and other musical shows.
  2. Sports competitions as public spectacles: National and international regulation.
  3. Hiring and production or assembly: Compendium of contractual relations. Analysis of real cases and contract drafting.
  4. Promotion and ticketing: Industry practices Real cases and contract drafting.
  5. Execution or Exploitation: Intellectual property and other legislation applicable to the premiere, gigs, and development of tours of theatrical and musical productions. Civil liability and administrative regulations.
  6. The collective management of intellectual property rights in the Performing Arts, Concerts and Sports Shows.

Module IX. Show Law (II): Legal regime and legal and contractual specificities of the different types of artistic and sports shows.

  • Musical artist tours: Detailed study, analysis of real cases and contract drafting.
  • Music festivals: Detailed study, analysis of real cases and contract drafting.
  • Theatrical productions: Detailed study, analysis of real cases and contract drafting.
  • Bullfighting: Detailed study, analysis of real cases and contract drafting.
  • Soccer and other sporting events: Detailed study, analysis of real cases and contract drafting.
  • The circus and other live events.
  • Contract violation and judicial protection.

FACULTY

  • Carlos Lopez Martin Blas – Secretary General & Director of Legal Advisory Secuoya – Secuoya
  • Clara Ruipérez de Azcárate – Director of Intellectual Property Telefónica & Secretary of the Board of Directors Movistar + – Telefónica / Movistar +
  • Ralph Seel – Deputy Director Legal Advisory Mediaset España – Mediaset España
  • Juan Antonio Orgaz – Deputy Director Regulatory Affairs & Institutional Relations – Atresmedia
  • Mabel Klimt – Managing Partner Elzaburu – Elzaburu
  • Maricarmen Heredia García – Director Business & Legal Affairs Spain and Portugal Netflix – Netflix
  • Almudena Santaeufemia Delgado – Legal Director Buendía Estudios – Buendía Estudios
  • Nathalie Rodilla – Director Business & Legal Affairs Warner Bros / Discovery – Warner Bros Discovery
  • Teresa González Ercoreca – Legal Director Streaming Ops – Media Tech Company Paramount – Paramount
  • Carlos Osuna – Head of Legal DAZN – DAZN
  • Estela Cabrera Medina – Legal & Business Affairs Universal Music – Universal Music Spain
  • Javier Bermudez de Castro Berbel – Head of Business Affairs Disney + – Disney +
  • Gonzalo Santos – Head of Legal Amazon Studios Spain – Amazon Studios Spain
  • Nerea Sanjuan – Director Culture, Sports & Entertainment Andersen Spain – Andersen Spain
  • Iban Diez López – Managing Partner Menta Legal – Menta Legal
  • Pedro Martín Cerezo – Director Audiovisual & Culture CREA SGR – CREA SGR
  • Alvaro Martínez Crespo – Head of Legal Advisory at Telefónica – Telefónica
  • Gabriella Zara Rozalén – Legal & Business Affairs Manager Warner Chappell Music – Warner Chappell Music
  • Miguel Martorell – Managing Director Southern Europe Altafonte – Altafonte
  • Ángel Chavarría Romero – Senior Lawyer Senn Ferrero – Senn Ferrero
  • Marta Martín García – PhD in Journalism – Metadata Technician at Movistar+ – Movistar +
  • Cristina Perpiñá – Robert Navarro – General Director SGAE – SGAE
  • Marta Nadal Cebrián – Director Legal Services SGAE – SGAE
  • Octavio Dapena – Managing Director EGEDA – EGEDA
  • Jesús Cimarro – Director Pentación Espectáculos and of the Mérida Classical Theatre Festival – Pentación
  • Jorge Sánchez Somolinos – Manager Academy of Performing Arts of Spain – Academy of Performing Arts
  • Abel Martín Villarejo – General Director AISGE & Foundation AISGE – AISGE
  • Santiago Mediano – President Santiago Mediano Abogados – Santiago Mediano Abogados
  • Juan MG Morán – Manager Academy of Cinema of Spain – Academy of Cinema of Spain
  • Isabel Mariscal – Founding Partner Singular Law – Singular Law
  • Carlota Navarrete – General Director Coalition of Creators – Coalition of Creators
  • Óscar Graefenhain de Codes – General Director Spanish Basketball Federation – Spanish Basketball Federation
  • Patri Aragoneses – General Director ARA Music – ARA Music
  • Sergio Barrera Coy – CEO & Founder Keepers Influencia Creativa – Keepers
  • Patricia Gabeiras – Founding Partner and Lawyer Gabeiras & Asociados – Gabeiras & Asociados
  • Belén Álvarez Cabrera – Director Cultural Law Department Gabeiras & Asociados – Gabeiras & Asociados
  • Rocío Mena Jiménez – Lawyer Gabeiras & Asociados – Gabeiras & Asociados
  • Tamara Criado – Lawyer Cultural Law & IP MRG Abogados – MRG Abogados
  • Dolores Piquero – General Director Business Legal Advisory PRISA – PRISA Media
  • José Manuel Gómez Bravo – Director Legal Affairs of Rights and Relations with Cultural Industries – PRISA Media
  • Helena Suárez Jaqueti – Partner IP/Media ECIJA – ECIJA
  • Cristina Villasante Chamorro – Partner IT/IP ECIJA – ECIJA
  • Elena Orduñez Martín – Partner TMT ECIJA – ECIJA
  • Alex Díaz Sánchez – Principal Associate TMT IP/Media ECIJA – ECIJA
  • Alexander Guede – Legal Director Peak Sport Media – Peak Sport Media
  • Patricia Mariscal Garrido – Partner Head of IP Bardají & Honrado – Bardají & Honrado
  • Charo Fernando – Deputy General Director Autocontrol – Autocontrol
  • Mariayun Martín de los Ríos Alarcón – Commercial Director Media Kantar Media – Kantar Media
  • Herminia López Colmenarejo – Managing Partner Legal Area López Colmenarejo – López Colmenarejo
  • Adela Carballido – HR Director Montero Aramburu & Gómez Villares Atencia – Montero Aramburu GVA
  • Chalo Bonifacino Cooke – CEO 1999 Media – 1999 Media
  • Miguel María García Caba – Lawyer Specialized in Sports Law – Independent Professional
  • Giuseppe Di Bella – Director Business & Legal Affairs Youplanet – Youplanet
  • David Serras Pereira – Licensing & International Manager – Unison
  • Beatriz Sánchez Eguibar – Director Legal Advisory AGEDI – AGEDI
  • Magali Delhaye – Senior Lawyer AMC Networks – AMC Networks
  • Débora Velasco Méndez – Legal Counsel Last Tour – Last Tour
  • Alessia Simionato – IT / IP Media Lawyer Fourlaw Abogados – Fourlaw Abogados
  • José María Montes Relanzón – Managing Director Global Audiovisual Alliance (GAVA) – GAVA
  • Iban García del Blanco – International Director Lasker – Lasker
  • Álvaro Hernández Pinzón – General Director AIE – AIE
  • Daniela Bosé – General Director Palacio Vistalegre – Palacio Vistalegre
  • Aranzazu Riosalido Fernández – Director Circo Price – Circo Price Madrid
  • Alfonso González Gozalo – Partner Bercovitz & Carvajal – Bercovitz & Carvajal
  • María González Gordon – Head IP & Digital Business Practice CMS Albiñana & Suárez de Lezo – CMS Albiñana & Suárez de Lezo
  • Javier Díaz de Olarte – Deputy to General Management CEDRO – CEDRO
  • Mercedes Morán Ruiz – Lawyer IP & Digital Law INECO / Red.es – INECO / Red.es
  • Juan Ignacio Fernández de la Torre – Managing Partner API Asesores – API Asesores
  • Román Gómez Ponti – Partner Lagis Abogados (former Legal Director FC Barcelona) – Lagis Abogados
  • José Ignacio Saldarriaga Alonso – Partner Corporate M&A EJASO – EJASO
  • Mª Ángeles Carmona Almécija – Principal Associate Advertising, Sports & Entertainment EJASO – EJASO
  • Alicia Maddio – Associate IT / IP Pérez Llorca – Pérez Llorca
  • Elisa Gutiérrez García – PhD in Law Professor UCM – UCM
  • Sara Isabel Tortosa – Co-Founder & Chief Legal Officer La Charito Legal – La Charito Legal
  • Marco Antonio Mariscal Moraza – PhD in Law Professor UAH & Director Digital Transformation AISGE – UAH / AISGE
  • Álvaro Díez Alfonso – Lawyer Legal & Business Affairs Somos Música – Somos Música
  • Joaquín Muñoz – Partner Commercial Law – Privacy & Data Protection Bird & Bird – Bird & Bird
  • Manuel Balsera – Consultant – Former Managing Director AMC Networks – Consultant
  • Antonio Fernández – President ADEPI & Secretary General DEV – ADEPI / DEV
  • Paulino Cuevas – Managing Director ALIA (Alliance of the Audiovisual Industry) – ALIA
  • María José Huertas Jiménez – Director Lighthouse Team & Co-founder Sonqo – Lighthouse Team
  • Patricia Muñiz de la Oliva – Co-founder & Creative Director Sonqo – Sonqo
  • Natalia Tamames García Orcoyen – IP / Art Law & Cultural Heritage Principal Associate Ramón & Cajal Abogados – Ramón & Cajal Abogados
  • Francisco Asensi Viana – Senior Advisor Audiovisual Industry Ministry of Digital Transformation – Ministry of Digital Transformation
  • Daniel González Polo – Lawyer Tax Director Busbac+ – Busbac +
  • Zahara Molero – Tax Advisor Z Personal Global Tax – Z Personal Global Tax

ACCREDITED DEGREE

Once the relevant Program has concluded and ISDE has verified that the STUDENT has completed their work satisfactorily, the STUDENT will receive the corresponding Degree certificate for each PROGRAM.

In compliance with current legality and, specifically, as set forth in article 4.4 of decree 84/2004, it is noted that ISDE’s programs are professionally oriented and therefore, unless explicitly stated otherwise, they are courses that do not lead to the acquisition of a title with official value, but to that of a proprietary title from ISDE.

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